In this paper, it will be argued that proactive policing and patrol actions are creative, timed, executed
but concealed policing activities. Proactivity appears as an arranged, organised and meaningful
cultural artefact. It involves rituals performed in an enacted or staged environment in which images
of a dangerous environment, crime, suspiciousness of the population and an organisational context
of an unstable ‘fire brigade’ patrol department serve as a background to engage in practices that
define, even reconstruct, the environment as such. Hence, this paper elaborates on how patrol
officers ‘cope’ with mundane reactive policing in an unpredictable organisational context by enacting
dramatized crime-fighting roles. In order to explain and frame the proactive patrol activities that
appeared, a cultural sociological framework is suggested which questions a stress-coping model
to explain how culture and action develop and which allows us to understand these activities from
a subjective point of view. This article thereby focusses on meaning-making, agency and contexts
of street-level policing and folklore.